The Teapot Artisans of Instagram

by Jordan G. Hardin 0

Teapots of Instagram

Since the beginning of tea culture, there has been the teapot. In fact, many would argue you can’t have one without the other. This vessel, into which you add the basic elements of tea and water, supports a beautiful illusion that the tea which issues from the spout could not have been created without the teapot. 

Likely adapted from traditional ceramic rice wine pots, teapots are intrinsic to Asian culture. The Japanese 茶碗, or ‘chawan’, literally means teacup, but it’s so ubiquitous that it can simply refer to any cup or small bowl. Artisans, potters, and ceramicists continue to craft and tweak the basic design.

Below are the Instagrams of some of the makers I’ve discovered. Admittedly, my eye veers toward modern aesthetics and simplicity. Thus, you’ll see a lot of blacks, whites, and kyusu. Enjoy!

2015 壺

A post shared by 吳偉丞 (@wu__wei__cheng) on

#村上躍 #安藤雅信

A post shared by Min (@jiemocraft_min) on

Светлого Рождества! #рождество #рождествохристово #чай

A post shared by Denis Kabanov (@deniskabanov) on

#silver #pot

A post shared by takashi endo・遠藤岳 (@t_endoh) on

A post shared by derekjwilson (@derekjwilson) on

#ceramics #pottery #陶芸 #kazunori_ohnaka #大中和典

A post shared by Kazunori Ohnaka (@kazunori_ohnaka) on

A group pots from both the past and present, it includes a small teapot with an eggshell white glaze, a small white bowl, which is very thickly glazed from my time studying ceramics in Ireland and behind is a more recent green plate and simple vase. Say beside them is my beautiful spoon by JoJo, (@jojowoodcraft), it’s part of my ever growing wooden spoon collection. I’ve been making roughly the same forms for a number of years now, the bowls, mugs and teapots especially have stayed more or less the same shape, undergoing only slight variations between batches. This coming year I want to make some changes, new pots, new shapes, I want to make bigger vases, dishes, different styles of teapots with wooden handles and a whole selection of other pieces – if time allows. That being said, I believe it is a good idea to limit yourself in the range of work made, to a certain degree. Many potters make within a certain style, their style, the pots retain certain characteristics between each other, shapes often only being scaled up and down or altered by different colours. Pots take time to develop, it can take batches and batches until they start getting to a point where they’re really any good. It’s worth doing, repetition, subtle changes and a continual development of a single idea, a particular pot. It’s so easy with clay to throw so many different things, and while it is certainly fun and sometimes necessary to simply ‘play’ on the wheel, it isn’t what most potters spend their time doing. Most tend to find their own style and develop it, sticking to really a very strict set of parameters, using only a few glazes and a single firing type as opposed to delving into every type of firing and using countless different glazes. These limitations in reality push us to be even more creative, as we learn about a set few materials to their absolute extremities and really push what they’re capable of.

A post shared by Florian Gadsby (@floriangadsby) on

茶壷 整列。

A post shared by 岡田 直人 (@naoto416) on

2017 작업실.. . . . #ceramic #studio #musso #2017

A post shared by Sung Wook _ Park (@musso_you) on

Jordan G. Hardin

Jordan G. Hardin has spent most of his life working in the food and beverage industry; in the kitchen, as a waiter, as a bartender, and as many more. A native of Northern Idaho, he studied Film in New York City, then moved to Los Angeles to write. After 7 years working in tea, he currently serves as Beverage Director of Alfred Coffee and Alfred Tea Room, and as Editor in Chief of World of Tea. In the meantime, he reads, writes, eats, drinks, and polishes up original screenplays with his best friend.

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